The evolution of Irish traditional dance music is often a story of cultural exchange, marked by influences from Scotland, England, and continental Europe. Certain dance forms—jigs, reels, hornpipes, polkas, and waltzes—did not originate in Ireland but were introduced over time, sometimes through itinerant dance masters, other times through cultural exchanges with Irish communities abroad, particularly in America. This post examines the documented history behind these dance forms and their integration into Irish traditional music.
The Arrival of Scottish Dance Forms in Ireland
The Scottish dance forms of reels and strathspeys gained popularity in Ireland after the relaxation of the Penal Laws in the 19th century. The Penal Laws, which were not fully lifted until the 1860s, restricted Irish Catholics from engaging in certain cultural practices. This makes it unlikely that organized teaching of Scottish dances, which would have required the presence of dancing masters, took place before this period. With the repeal of these laws, English and Scottish dancing masters began traveling across Ireland, and by the late 19th century, they were teaching reels, jigs, and strathspeys to Irish communities.
These dance masters played an instrumental role in formalizing the Scottish reels and strathspeys within Irish village dance events. Once adopted, these styles became woven into the fabric of Irish traditional music, as Irish musicians adapted the structures and rhythms to suit Irish melodies.
The Hornpipe in Irish Traditional Music
The hornpipe, another dance form originally from England, also found its way into Irish music during the 19th century. Hornpipes have a distinctive dotted rhythm and are typically in 4/4 time, making them somewhat slower and more articulated than reels and jigs. As with reels and strathspeys, the hornpipe was introduced and taught by dancing masters traveling through Ireland, especially in rural areas where such dances became central to social gatherings.
Documentation in music collections, such as O'Neill's Music of Ireland (1903) and Petrie's The Petrie Collection of the Ancient Music of Ireland (1855), confirm the presence of hornpipes in Irish music by the mid- to late-19th century. These collections contain numerous hornpipes and show that they had become well-established in the traditional Irish dance music repertoire by this period.
Polkas and Waltzes: European Influences and the American Connection
Polkas and waltzes entered Irish music somewhat later, likely in the latter half of the 19th century, as these forms gained popularity across Europe. Originating in Bohemia, polkas made their way to Ireland along with other European dance styles and took root particularly in County Kerry and County Cork, regions that embraced the polka rhythm with enthusiasm.
However, much of the popularity of these dances in Ireland is also attributed to Irish immigrants in America. In the 19th and early 20th centuries, Irish American communities adopted polkas, waltzes, and other dance forms popular in American social dances. Many Irish American musicians recorded traditional Irish tunes as polkas and waltzes, and these records circulated back to Ireland, where they influenced local musicians. This transatlantic exchange played a significant role in the spread of polkas and waltzes within Irish traditional music, particularly as American-made records became accessible in rural Irish communities.
The Dance Halls Act of 1935 and Its Influence
In 1935, the Irish government passed the Dance Halls Act, regulating public dances and leading to a shift toward organized dance halls over informal gatherings. This regulation solidified the popularity of waltzes, polkas, and foxtrots within Ireland, particularly those styles that had become popular among Irish immigrants in America. Documented evidence from this period shows that the structured dance environment of the halls accelerated the blending of Irish and American-influenced dance forms in Ireland, further embedding these newer dances into the Irish traditional music and dance repertoire.
These influences from Scotland, England, continental Europe, and Irish American communities reflect a unique historical blend that has continually shaped Irish traditional music. Through formal dance instruction, American recordings, and the spread of dance halls, each element found a place within Ireland's musical landscape. Today, the legacy of these exchanges is evident in the diverse rhythms, forms, and movements that define Irish traditional music, showcasing a dynamic history that honors both local heritage and a broader Celtic and European tapestry.
