Tuesday, February 25, 2025

The Lost Art of Traditional Music: Why Learning an Instrument Matters Now More Than Ever


Rediscovering the Joy of Fiddle and Mandolin in a World Without Music Classes

Have you ever wondered why it seems harder to find people interested in learning traditional music these days? For generations, music education played a central role in schools, shaping young minds and fostering a love for the arts. Baby boomers and millennials may be the last generations to experience the benefits of school music programs—learning to read music, understanding rhythm, and appreciating the dedication required to master an instrument. But somewhere along the way, many schools scaled back or eliminated these programs, leaving a gap that needs filling.

This shift means entire generations have grown up without regular exposure to music in an educational setting. As a result, fewer people recognize the skill, time, and patience it takes to play an instrument like the fiddle or mandolin. These instruments, rich in cultural history and perfect for traditional music, hold stories waiting to be told through every note played. Learning to play them isn’t just about mastering a skill; it’s about connecting with a timeless tradition.

Yet, all is not lost. The ability to play an instrument is still within reach for anyone willing to dedicate just 30 minutes a day. Imagine spending half an hour each day developing a skill that stays with you for a lifetime—a skill that brings joy, relaxation, and a sense of accomplishment. Learning the fiddle or mandolin can open doors to new communities, provide a creative outlet, and offer a deeper connection to music’s rich cultural heritage.

Whether you’re a young person discovering music for the first time or someone returning to a forgotten passion, the journey to playing traditional music is rewarding and enriching. The best part? You don’t need a school music program to start. With online and in-person lessons available, it’s easier than ever to begin.

Let traditional music become part of your story. Sign up today for fiddle or mandolin lessons—online or in person—and take the first step toward a lifetime of music. 

Thursday, February 20, 2025

Master Traditional Fiddle Styles with Private One-on-One Lessons


By Adam R Sweet – Fiddler, Educator, and Performer with Woodkerne, Celticado, and Swift River

Have you ever dreamed of playing the lively tunes that define traditional fiddle music from the Isles? Whether you want to jam with friends, join a local band, or simply enjoy the music for yourself, private fiddle lessons can get you there. At Sweet Music, I offer one-on-one fiddle instruction tailored to your goals, focusing on the authentic styles I’ve spent years performing and perfecting.

Who Benefits Most?
These lessons are perfect for adults who:

  • Want to play in a group setting or local jam sessions.

  • Hope to join or start a band focused on traditional Isles music.

  • Appreciate the rich history and rhythms of Irish, Scottish, and other regional fiddle traditions.

About Your Instructor
I’m Adam Sweet, a fiddler with deep experience in traditional Isles music. I perform regularly with:

  • Woodkerne, a traditional Isles quartet.

  • Celticado, a wedding duo specializing in traditional Isles music.

  • Swift River, an all-original newgrass band.

My expertise spans a wide range of traditional fiddle styles, including:

  • Single and Double Jigs: Foundational dance tunes with infectious rhythms.

  • Slip Jigs and Slides: Distinctive 9/8 time tunes that add variety to any repertoire.

  • Reels: Fast-paced, driving melodies perfect for sessions and performances.

  • Hornpipes and Strathspeys: With syncopated rhythms and a distinct swing feel.

  • Polkas: Lively tunes with a bouncy rhythm.

  • Airs: Slow, lyrical pieces that showcase the expressive side of the fiddle.

  • Tunes by Turlough O’Carolan: Melodies that blend traditional Irish themes with elegant baroque influences.

When and Where
Lessons are flexible to fit your schedule:

  • When: Any time after 5 PM, Monday through Friday.

  • Where:

    • In-person at my home in Granby, MA.

    • Online using Google Meet for remote learners.

Cost and Flexible Pricing
Your first lesson is free — no obligation, just music. After that, we’ll find a pricing plan that works for you. Rates start at affordable levels on a sliding scale, ensuring lessons remain accessible to all interested students.

The True Music of the Isles: Beyond the "Celtic" Label

By Adam R Sweet – Musician, Educator, and Advocate for Authentic Traditional Music

As St. Patrick's Day approaches, the sounds of jigs, reels, and ballads fill the air. Many people refer to this vibrant, rhythmic music as "Celtic," a catch-all term that has become synonymous with traditional music from Ireland, Scotland, Wales, and beyond. However, the term "Celtic music" is a modern marketing invention, and understanding the true origins and meanings behind this music deepens our appreciation for its rich cultural heritage.

The so-called "Celtic" music actually encompasses distinct musical traditions from the Isles, each with its own history, style, and cultural significance. Irish traditional music, with its lilting melodies and intricate ornamentation, developed through oral traditions passed down over centuries. It served as a form of storytelling and cultural preservation during times when the Irish language and culture were suppressed. Scottish folk music, including Highland bagpipe tunes and Gaelic songs, similarly reflects the resilience of a people who used music to maintain identity amid political upheaval.

In Wales, a nation with one of the oldest unbroken musical traditions in Europe, harp music and poetic song cycles known as "cerdd dant" hold a special place. The music of Cornwall and the Isle of Man also boasts unique forms, though less widely known. Each of these musical traditions stands on its own, representing a vibrant tapestry of history and regional identity that cannot simply be reduced to the term "Celtic."


The misunderstanding comes from a desire to market these traditions under one convenient label. "Celtic" became a commercial brand in the 20th century, popularized through festivals, recordings, and tourism. However, by grouping these distinct musical cultures together, we risk overlooking the nuances that make each tradition special.

These musical traditions are important because they carry the stories, struggles, and joys of generations. They connect people to their ancestry and give voice to histories that might otherwise be forgotten. In a world where culture is increasingly homogenized, these musical forms remind us of the beauty of diversity and the power of tradition.

At Sweet Music, we honor the authentic music of the Isles by offering private lessons tailored to these traditional forms. You can explore the rich repertoire of Irish jigs, Scottish strathspeys, and Welsh airs through individualized study. For those who prefer learning in a supportive community, we invite you to join our Thursday night group class at 7 PM, where adults gather to learn and play together.

If you play mandolin, mandola, or mandocello, consider becoming part of our Monday night mandolin group. This ensemble focuses on the intricate melodies and harmonies of traditional Isles music, providing a space where musicians can grow and share their passion for these timeless sounds.

Join us at Sweet Music to celebrate the real music of the Isles — music that transcends labels and speaks to the heart of cultural tradition. Contact us today to sign up for private lessons or group classes and become part of this living musical heritage. 

Tuesday, January 21, 2025

Valentine's Day Is Coming Soon!


Create Harmony in Your Relationship with Couples Music Lessons!

Discover a unique way to connect and make lasting memories—learn to play music together at Sweet Music Studio!

Choose from these duets:

  • 🎻 Fiddle & Guitar
  • 🎻🎻 Twin Fiddles
  • 🎸 Mandolin & Guitar
  • 🎻🎸 Fiddle & Mandolin
  • 🎸🎸 Twin Mandolins

One hour of personalized instruction each week for just $100—a $50 savings!

Ready to make beautiful music together? Visit www.sweetmusicstudio.net to book your first lesson today!



Tuesday, December 10, 2024

We're So Back! In-Person Lessons Return to Granby, MA


Private Lessons and Group Classes are now in-person again at our location in Granby, Massachusetts!

We still offer remote lessons as a convenience for students who are more than 25 minutes away from our location, or inclement weather, but as most students (and our teachers!) prefer in person lessons, they are really the best way to get the most out of your lesson experience.

Here's how to start:

  1. Fill out the registration form on this page.  Don't forget to include your optimal lesson time.  We are available 1-7pm, Monday - Friday. Some teachers may be available on the weekends, so please ask.
  2. Plan to arrive at the studio at least ten minutes before your lesson starts.  You may sit in your car, or if the weather is warm enough, on the sun porch prior to your lesson.  
  3. We will start promptly at the agreed-upon time.  If you are late, there may be a problem, so please don't put your teacher through that.  Schedules are tight because we try to fit everyone in during that period each day.
  4. Come in through the front door.  You may leave your coat on the chair in the foyer.  You may put your case on the floor near the music stand you will be using.  Please don't put your case elsewhere as other people use the space and it may be in the way.
  5. Dogs are welcome as long as they are well behaved!  Please bring your dog to attend your lesson with you.  In our experience, dogs are a positive influence on learning, both for the dog and for its human!
  6. Please have your instrument in tune BEFORE your lesson starts.  You can do this at home, in your car or on the porch (in warm weather).  Do not tune your instrument in the foyer!  It will be disruptive to the other students.
  7. Practice your lesson at least once a day for 6 days to make your lesson most productive.  If you can't remember what you were supposed to be studying, you should contact your teacher during the week.  Don't worry!  Teachers expect to be contacted with questions and there is no additional charge!  
  8. We use DISCORD for all chats, postings and other notifications.  If you haven't signed up for our Discord server, here's a link.  Some people may prefer not to use Discord.  For them, we provide our generic email.  Make sure you put in the subject field the name of the teacher the email is for: sweetmusic@mm.st 
  9. Because of the transition times between lessons, we note that "hourly" lessons are 55 minutes, "half hour" lessons are 25 minutes.  We recommend that all students register for hourly lessons!  There is a $320 discount for students that pay for a year of hourly lessons in advance.
  10. Practice, Practice, Practice!  We recommend that students practice at least 30 minutes 6 days a week.  Speak with your teacher about practice recommendations.

Sunday, November 3, 2024

Social Media Killed Music Education


The rise of social media has brought unprecedented access to knowledge and resources, but for music teachers, it has created a set of challenges that complicate the art of teaching. Platforms designed to connect people and share information are now pervasive, shaping students’ expectations and perceptions of learning, particularly in music. While some benefits exist, such as wider exposure to different musical styles and instant access to tutorials, the ways in which social media has impacted teaching music go beyond mere access to content. Instead, it has introduced obstacles that threaten the integrity of music education itself, affecting students' commitment, patience, and the depth of their learning experience.

One of the primary ways social media has negatively impacted music teaching is by fostering a culture of instant gratification. Music students are exposed to endless videos of professionals and influencers displaying highly polished performances, often without context regarding the years of practice required to achieve such proficiency. These clips, while inspiring, often give students a skewed perception of progress, causing them to expect rapid improvement without investing the necessary time and dedication. This culture of quick results can diminish the value students place on slow, deliberate practice, making it difficult for teachers to instill the patience required for true musical mastery.

Additionally, social media has created an over-reliance on tutorials and “hack” culture, where students are encouraged to find shortcuts rather than focusing on foundational skills. Platforms like YouTube and TikTok are filled with tutorials that offer bite-sized, simplified versions of songs, sometimes encouraging students to skip over crucial fundamentals. This can lead to gaps in technique and a superficial understanding of music. While these resources can be valuable supplements to traditional lessons, they often replace comprehensive teaching when students rely solely on them. Teachers now face the challenge of unlearning bad habits that students acquire from inconsistent or incomplete online instruction.

Moreover, the performative nature of social media can disrupt the learning environment by adding pressure to “perform” rather than “learn.” Many students feel compelled to share their progress online, seeking validation in the form of likes and comments. This shifts their focus from internal growth to external approval, altering the way they approach learning music. Teachers find it increasingly difficult to foster a space where students feel comfortable making mistakes or progressing at a natural pace, as social media encourages public sharing and the pursuit of social rewards over genuine development. This external focus can also erode students’ intrinsic motivation to learn music for the love of it, rather than for social recognition.

The influence of social media has also led to a decrease in face-to-face interactions, which are essential for effective music education. While online lessons have their place, especially for students in remote areas or during circumstances like the recent pandemic, they cannot replace the nuanced, immediate feedback that in-person lessons provide. Music is a deeply personal and physical art form, where posture, subtle movements, and tone are critical aspects that are difficult to correct through a screen. Social media and the rise of online tutorials can create a barrier to this type of learning, leading to misunderstandings and missed opportunities for growth that only in-person feedback can provide.

Furthermore, the rapid spread of misinformation on social media has added to the challenges of teaching music. While some credible musicians and educators share high-quality content, much of what circulates online lacks rigorous standards. Misinformation can include everything from incorrect historical context about a genre to misleading advice on technique and practice. Students who absorb this misinformation may inadvertently challenge their teachers, resulting in classroom conflicts or a need for extensive re-teaching. This has forced many teachers to spend additional time correcting false information or re-aligning students’ understanding, detracting from valuable lesson time that could otherwise be used to progress.

Finally, social media has altered the perceived value of music teachers themselves. With so much “free” content available, students and parents may question the need for formal instruction, seeing online resources as a sufficient replacement. This has led to a devaluation of music education, where the expertise and experience that qualified teachers offer are undervalued or dismissed entirely. Many experienced instructors find themselves competing with free, unvetted content that often lacks depth. This shift makes it harder for teachers to maintain a sustainable career in music education, threatening the profession and the quality of teaching available to future students.

Social media’s impact on teaching music is a complex issue, one that requires awareness and adaptation from educators. By understanding the ways in which these platforms influence students’ expectations and perceptions, teachers can work to mitigate the downsides. Educators may need to emphasize the importance of patience, critical thinking, and intrinsic motivation, while also guiding students in the responsible use of social media as a supplementary tool, rather than a substitute for real instruction. Only by addressing these challenges head-on can music teachers continue to provide meaningful, high-quality education in an increasingly digital world.

What is a Contradance?


Contradance, a lively social folk dance, has deep roots in English country dancing and French dance traditions. Originating in England during the late 16th and early 17th centuries, English country dancing was a social activity for all classes, distinguished by its formation-based style, where dancers would form long lines, circles, or squares. These structured arrangements allowed for easy participation, making it suitable for gatherings in both grand halls and small rural spaces.

When English settlers brought their customs to North America in the 18th century, the English country dance mingled with the French contredanse, a popular couple-based dance in French court culture. The term contredanse itself, derived from the English "country dance," was adapted into French and eventually reintroduced to English-speaking circles as "contradance." This blend of styles transformed in the New World, gaining local flavor as American musicians added regional tunes and rhythms, borrowing from Scottish, Irish, and even African musical traditions.

By the early 19th century, contradance had spread across New England and the American South, establishing itself as a lively, community-driven dance form that emphasized rhythmic patterns and simple, repetitive figures, making it easy for newcomers to pick up. Each community adapted the dance to its own musical preferences, solidifying contradance as an American tradition with European roots.

New England's contradance style today reflects this history, combining traditional tunes with the call-and-response method, where a "caller" guides dancers through the figures. This role of the caller originated as a way to accommodate growing groups of dancers, allowing people to follow patterns without prior experience. With a backdrop of fiddle tunes, contradance maintains its communal spirit, welcoming everyone to the dance floor.

Why It’s Never Too Late: The Benefits of Learning an Instrument After 50

Many people believe that learning a musical instrument is something you have to start as a kid — but I’m here to tell you that couldn’t be f...