Bow Shop - Tail Hair, Tools, Accessories and Inventory
The violin bow is an essential component of stringed instruments such as the violin, viola, cello, and double bass. It is responsible for producing the sound by creating vibrations on the strings, and its design and construction have undergone significant changes over the centuries.
The history of the violin bow dates back to the 16th century, where the earliest bows were made of wood and horsehair. These bows were relatively short, and the hair was attached to the bow using a simple knot. It was not until the 18th century that a significant improvement was made to the design of the bow.
Francois Tourte, a French bow maker, developed a new design that incorporated a concave shape to the bow. The bow was made of pernambuco wood, which was durable, lightweight, and had a flexible strength that allowed for a full and rich sound. Tourte also introduced the concept of the frog, which is the part of the bow that holds the hair and is used to adjust the tension.
The Tourte bow became the standard for the violin bow and was widely used by musicians during the 19th and 20th centuries. However, in recent years, there have been many advancements and modifications to the design of the bow.
One of the most significant improvements is the use of carbon fiber as a material for the bow. Carbon fiber bows are durable, lightweight, and have a consistent performance across different climates and temperatures. They are also more affordable than traditional wooden bows, making them a popular choice for students and beginners.
Another innovation in the design of the bow is the use of different frog materials. Some modern bows have frogs made of materials such as mother of pearl or gold, which add a unique aesthetic appeal and can also affect the sound produced.
The future of the bow is likely to see continued improvements and modifications to the design. New materials and techniques are constantly being explored to create a better, more responsive bow. Some makers are experimenting with synthetic hair, while others are using computer modeling to create bows with improved balance and weight distribution.
One exciting development in the field of violin bows is the use of artificial intelligence to analyze and improve the design. A team of researchers from MIT and the Paris Conservatoire is working on creating an AI program that can analyze the performance of a bow and provide suggestions for modifications that can improve its sound.
Despite all these advancements, traditional wooden bows continue to be highly sought after by professional musicians and collectors. Pernambuco, the wood used in Tourte bows, is becoming increasingly scarce and expensive due to deforestation and the demand for the wood in other industries. This has led to the development of alternative woods and materials, such as snakewood and carbon fiber, that can replicate the sound and feel of traditional wooden bows.
In conclusion, the history and development of the violin bow have been a continuous process of experimentation and innovation. From the simple wooden bows of the 16th century to the modern carbon fiber bows, the bow has evolved to become an integral part of stringed instruments. As technology and materials continue to advance, it will be interesting to see what new improvements and modifications will be made to this essential component of music-making.
BOW INVENTORY:
OTHER INVENTORY:
- Products For Sale
- Mandolins For Sale
- Violins For Sale
- Guitars For Sale
TAIL HAIR
I've been sourcing horse tail hair for bows since the late 1990s. I bought it from suppliers in Canada, Argentina and Siberia. The Siberian suppliers sold through an agent in England named Michael T. Sowden.
In 1998, the Canadian tail hair supply started to dry up and the quality of the Argentinian hair became worse and worse. I realized I needed to find a new source of tail hair.
In 1999, I heard from a member of the Violin Society of America that his bow hair supplier bought hair from China. This was the first I'd heard about China being a source. I decided to check it out for myself. I tracked down one of the companies through my contact, through an interpreter found the auction house where he bid on lots of tails. From them, I discovered where the tails originated from. Some were ironically from Argentina, others were from slaughterhouses on the border between northeast China and Mongolia. I got the name of one of the largest organizations and tracked down their address.
My first trip to China was to Harbin in August of 1999.
I just received a new batch of fresh triple-drawn visually sorted unbleached white horse tail hair.
It goes by the 1/2 kilo (1.1 pound) and costs $330 a bundle plus shipping and tax. I take PayPal or cash in person at my house in Granby.
You can contact me to let me know how much you want to order. Each bundle is about 32" in length. I also have black and coarse. Please ask.
In 1998, the Canadian tail hair supply started to dry up and the quality of the Argentinian hair became worse and worse. I realized I needed to find a new source of tail hair.
In 1999, I heard from a member of the Violin Society of America that his bow hair supplier bought hair from China. This was the first I'd heard about China being a source. I decided to check it out for myself. I tracked down one of the companies through my contact, through an interpreter found the auction house where he bid on lots of tails. From them, I discovered where the tails originated from. Some were ironically from Argentina, others were from slaughterhouses on the border between northeast China and Mongolia. I got the name of one of the largest organizations and tracked down their address.
My first trip to China was to Harbin in August of 1999.
 |
| Select Premium Unbleached |
It goes by the 1/2 kilo (1.1 pound) and costs $330 a bundle plus shipping and tax. I take PayPal or cash in person at my house in Granby.
You can contact me to let me know how much you want to order. Each bundle is about 32" in length. I also have black and coarse. Please ask.